Selected Articles
2015 Nida Home Doherty, Exhibition Review, Museum London, The London Yodeller, (June 11)
2014 John K. Grande, Exhibition Review, Christopher Cutts Gallery, Sculpture Magazine, vol. 33 no. 2
2009 Orin Zelenak, "Ed Zelenak: Objects in Process"
2007 John K. Grande, "Mapping the Allegory", Sculpture Magazine, (June) vol. 26 no. 5
2005 Walter Klepac, "The Iconography of Ed Zelenak"
2004 John K. Grande, Exhibition Review, Christopher Cutts Gallery, Vie des Arts, (Spring) No. 194
2000 Donald Brackett, "Poet's Peak", Exhibition Review, Christopher Cutts Gallery, Canadian Art, vol. 17 no. 5 (Winter 2000): 80
1996 Olaf Hanel, "Water Has Memory", Exhibition Review, Czech Museum of Modern Art, Prague Atelier, no. 1
1969 Barry Lord, "Three Young Canadians", Art in America, vol. 57 no. 1 (January/February): 87-91
  2011 Kathy Rumleski, "Favro, Zelenak team up", London Free Press, (September)
  2010 Skye Goodden, "Opening Exhibitions - Ed Zelenak", Canadian Art, (September)
    Mary Ann Colihan, "Arts in London", Beat Magazine, (September)
  2009 Kim Russo, "About Sensing", Santa Fe Journal, (January)
  2003 Gary Michael Dault, "A Vulnerable Heart in Steel Clothing", Exhibition Review, Christopher Cutts Gallery, Globe and Mail, (December 20):R10
  2001 Sonali Velinker, "Canadian Art Comes to Town", Exhibition Review, National Gallery of Modern Art, New Delhi, Live In Style, (2001)
    R.S. Yadav, "Canadian Artists at Art Today", Exhibition Review, National Herald, (November 11)
  1999 Sandra Coulson, "Divining Truths, Elgin Art Gallery", London Free Press, (February 21)
    Gary Michael Dault, "Gallery Going: Ron Martin and Ed Zelenak at Christopher Cutts", Globe and Mail, (August ): C8
  1997 Tom Moody, "Seminal Sculpture of the School of London", Sculpture Magazine, vol. 16 no. 1 (January, 1997)
    R. Rubinstein, "Redinger, Bonham and Zelenak at Mitchell Algus", Art in America, vol. 85 no. 1 (January, 1997): 95
  1996 Stuart Servetar, "Seminal Sculpture of the School of London", Time Out New York, (September 26- October 3)
  1994 John Bentley Mays, "The Road to Contemplative Fare", Exhibition Review, Christopher Cutts Gallery, Globe and Mail, (November 19): C21
  1993 John Bentley Mays, "Traversing the Spiritual realms", Exhibition Review, Christopher Cutts Gallery, Globe and Mail, (September 24): C2
  1992 Jean Dumont, "Art Visuels", Exhibition Review, Galerie Brenda Wallace, La Presse, (January)
    Chris Hume, "Sculptor Bends Steel to Suit Symbolic Designs", Exhibition Review, Glendon Gallery, Toronto Star, (January 31): D
    Kate Taylor, "Plumbing the depths of metal and paper", Globe and Mail, (January 24): C8
    Doug Bale, "Eloquence Understated in Artist's Work", Exhibition Review, Thielsen Gallery, London Free Press, (November 14)
  1989 John Bentley Mays, "The New Map-Making: Artworks that Chart a Spiritual Course", Globe and Mail, (July 22): C4.
    Shelley Lawson, "Ed Zelenak's Exhibition a Process of self-Discovery", Exhibition Review, London Regional Art and Historical Museums, London Free Press, (July 8)
    Paul March, "Ed Zelenak", Ontario Living, (June)
  1986 Goldie Rans, Exhibition Review, Canadian Art, (Spring)
    John Bentley Mays, Exhibition Review, "Matter for Consideration", Harbourfront Art Gallery, Globe and Mail, (January 26)
  1984 Kate Taylor, "Comfort, Fear Combined in Zelenak Sculptures", London Free Press, (March 8) 1984
  1983 John Bentley Mays, "Artist's Works Maintain Dialogue", Globe and Mail, (April 9)
    "Ed Zelenak - Forest City Gallery and Harbourfront Art Gallery", Exhibition Review, Vanguard Magazine, (Fall)
  1979 Dennis Kucherawy, "Sculpture Keeps Changing", London Free Press, (February): D13.
    "West Lorne Sculptor Wins Grant", London Free Press, (September 26): D12
  1978 Meriké Weiler, "Art: The Shape of Things That Have Already Come", Maclean's, (June 26) 58-59
    James Purdie, "A Battle for a Name Over a Number", Exhibition Review, Carmen Lamanna Gallery, Globe and Mail, (February 4)
    James Purdie, Exhibition Review, Globe and Mail, (October 9)
    Badanna Zack, "10th International Sculpture Symposium", Exhibition Review, artmagazine, (November/December)
  1977 Lenore Crawford, "Sculpture Gets a Protective Coating", London Free Press, (March 6)
  1974 Joe Bodolai, "An artscanada Symposium - Sculpture: A Rebirth of Humanism, with Michael Snow, Walter Redinger, Robin Mackenzie, Ron Thom, Hugh LeRoy, Joan M. Vastokas, Ed Zelenak, Steve Irwin, Robert Murray, and K.C. Stanley", artscanada (Autumn): nos. 190-91
  1973 "Zelenak", artscanada, vol. 3 no. 3 (August): 75
    Roald Nasgaard, artscanada, vol. 3 no. 1 (June)
    James Auer, The Milwaukee Journal, (May)
  1971 Time Magazine, (September 27): 7
    F. Schulze, Globe and Mail, (April 17)
    Charles Benbow, Globe and Mail, (March 4)
    The Evening Star, Washington, D.C., (July 27)
    B. Siegel, The Washington Post, (July 27)
  1970 Time Magazine, "In Search of Innovation", (December 7)!
    Canada aujourd'hui, Paris, no. 10 (January 1970)
    Barry Lord, Toronto Daily Star, March 26: 34
  1969 John Noel Chandler, "Redinger and Zelenak", artscanada, vol. 126 no. 2 (April): 23
    Victor Coleman, "A Lot of Guys Went Down", artscanada, vol. 126 no. 2 (April): 23-28
    Kay Kritwiser, Globe and Mail, (June 11):12
    P. Robinson, The Telegram, (May 10)
    Michael Pepiat, "Paris Letter", Exhibition Review, Art International, vol. 8 no. 9 (November)
    B. Hale, Toronto Daily Star, (June 7)
    Jared Sable, "Sensuous Auspicious Debut", Exhibition Review, Carmen Lamanna Gallery, The Telegram, (June 7)
    Studio International, vol. 1-178 #915
    Yvonne Granet, "La Vie des Arts au Canada", Exhibition Review, La Galerie des Arts, La Presse, (15 septembre)
    Barry Lord, "What London Ontario Has That Everywhere Else Needs", Art in America, No. 5, (September/October)
    Le Monde, "A la 6ieme Biennale des Jeunes Artistes", La Galerie de France, Exhibition Review, Le Monde, (9 octobre)
    Suzanne Tenand, "Plaisir de Voir", La Galerie de France, Exhibition Review, La Tribune des Nations, (17 octobre)
    Daniel Abadie, "Peinture Chef-Lieu Ottawa", Exhibition Review , La Galerie des Arts, Le Soleil, Quebec, (15 octobre)
    Catherine Millet, "Six Canadiens et le Plexiglas", La Galerie de France, Exhibition Review, Les Lettres françaises, (20 octobre)
    Robin Skelton, "Sixieme Biennale des Jeunes Artistes et Canada Tendences Axtuelles", Arts Canada, (December)
  1968 "The Arts", Time Magazine, (June 28): 10
    Geoffery James, "The Arts", Time Magazine, (September 27): 20
    Anita Aarons, Allied Arts Catalogue, Art for Architecture, Royal Architectural Institute of Canada, Vol. 2 Nos 49-89, (October 1968): 8
    Toronto Life (August 1968): 30-33
    Barry Lord, "The Maple Moose Forever", The Star Weekly Weekend Magazine, vol. 18 no. 49, 10-16
    Barry Lord, "Tobacco Fields of Home Provide Sculptor's Cash", Kitchener-Waterloo Record, (August 3)
    "Young Artists", artscanada (August 1968): 23
    artscanada (October-November 1968): 8, 43, 44
    G. Dexter, The Toronto Star, (June 15): 30
    G. James, "The Heart of London", Vie des Arts, vol. 53 (Winter 1968/69)
  1967 "Centennial Art Exhibition", Exhibition Review, London Free Press, (October 28)
  1964 Michael Vickers, "Finds Old Fishing Shack Ideal Spot for Studio", London Free Press, (September 12): 19
    "Looking for Clues", McIntosh Art Gallery, UWO, London Free Press
Selected Catalogues
2015 Ed Zelenak: Divining the Immeasurable, (Museum London, London, Ontario: 2015)
2006 Ed Zelenak (Thames Art Gallery, Chatham Cultural Centre, Chatham, Ontario: 2006)
1981 Recent Wallworks and Sculptures (Mendel Art Gallery, Saskatoon, Saskatchewan: 1981)
  2001 Five Contemporary Canadian Artists in India (Thomson Press: 2001)
  1997 Shape Shifters: Sculpture and the Modern Age (Art Gallery of Hamilton: 1997)
  1995 Na Hranici Znaku - At the Edge of the Sign (New Association of Prague Artists: 1995)
    Matter For Consideration (The Art Gallery at Harbourfront, Toronto, Ontario: 1984)
  1989 Finding a Place, Selected Works 1976-1988 (London Regional Art Gallery, London, Ontario: 1989)
  1972 5 Canadian Artists (The Ukrainian Institute of Modern Art: 1972)
  1970 3e International de Galeries pilotes - Artistes et Decouvreurs de Notre Temps (Muses Cantonal des Beaux-Arts: 1970)
  1969 A Plastic Presence (The Milwaukee Art Centre: 1969)
  1968 Heart of London (Ottawa: National Gallery of Canada, 1968)
Book Inclusions
  2008 John K. Grande, Art Allsorts: Writings on Art & Artists (Montreal; Random Tree Editions/Go If Press, 2008)
  1998 Joan Murray, The Best Contemporary Art (Hurtig,1988)